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Gin

Last
year was a pleasant surprise for


Gin


When
was the last time you saw reports showing robust growth
statistics for every single significant import brand on the
sales charts? Notable is a 10% increase for the phenominally
successful, #1 super-premium icon Bombay Sapphire (now well
beyond the 600,000 9-liter annual case-sale benchmark) and a
20% increase for #2 super-premium contender, Tanqueray No.10
(now doing over 60,000 cases). But all the other premium
import majors like Beefeater, Bombay Original and the
regular Tanqueray, and upcoming players like Quintessential
and Boodles, and small-batch niche brands like Hendricks,
Plymouth and Citadelle are rapidly rising, as
well.

And while there is still
slight negativity in the overall domestic segment, which has
been something of a category albatross for many years, now,
the numbers are more hopeful than they have been in a long
while. It certainly helps to is see giant #1 Seagram’s,
America’s domestic best-seller by a 4-to-1 margin, actually
reversing a long-suffering downward slide, and showing its
first growth year in a decade. Seagram’s has now climbed
back to a 2.8 million 9-liter case plateau in annual sales,
and the overall decline in the rest of the domestic segment
is not nearly as severe as it has been in recent
years.

But, once again, it’s the
imports that continue to create the buzz and excitement –
and the real cause for celebration is at the super-premium
levels where a whole lot of new flavor products and major
brand investment have suddenly materialized. It seems like
only yesterday we thought we were dealing with these
esoteric little sub-categories at these high-end levels,
but, now, this is where a whole lot of significant action is
going on.

To find out more about
where all this is heading, I examined the current gin
marketplace closely with three Massachusetts distributors
who share a bullish interest in gin and represent a wide
variety of brands.


STERLING
DUNN

VICE
PRESIDENT
HORIZON BEVERAGE COMPANY’S
STEALTH DIVISION

ROBERT
BRADFORD
From your
on-premise perspectives, how do you evaluate today’s gin
category? You number a couple of the principal impact
imports like Beefeater, Bombay and Bombay Sapphire in your
portfolio, plus several small batch players like Plymouth,
Bols Genever, Van Gogh, and Quintessential. And you’re now
handling some intriguing new products like blue-colored,
cinnamon-nutmeg-infused Magellan, and the recently-launched,
pear-infused Wet-by-Beefeater. What do you see happening out
there?

STERLING
DUNN
What
immediately pops into mind about gin is that it’s a
field-of-dreams category. By this, I’m really referring to
that line from the “Field of Dreams” movie: “If you build
it, they will come.” And this is what’s happening right now
in the gin world. There are more people entering into this
category, and there’s more going on than might seem to be
warranted by the rate-of-consumption statistics at this
particular point in time. So, it’s sort of a case where
you’re seeing people positioning themselves for the future,
and I think this is a particularly smart and significant
move.

If you want some convincing
proof, just look at where major present-day gin category
excitement is coming from. Look at some of the players
jumping in, right now, with new line extensions, new brands
and enormous amounts of ad-spend brand investment, which are
either introductory or re-positioning efforts within the
category. Look at a giant established brand icon like
Beefeater, in Allied Domecq’s portfolio, coming out with a
new Wet-by-Beefeater gin product. Look at an innovative
brand-building genius like Michel Rioux, who was the guy
behind Bombay Sapphire, Grand Marnier and Absolut vodka in
its infancy, who’s now introducing a new Magellan Gin. Look
at a guy like Sidney Frank, who was, and still is, the
architect of phenominal successes like Jagermeister and Grey
Goose vodka, and who is now going to be launching a new gin
brand next autumn called Blue Goose. And here’s a major
player like Future Brands jumping in behind something like
Plymouth Gin. Doesn’t this tell you something?


RB
What does it tell you about the opportunities?

SD
Well, just start with Plymouth Gin. I call it “the oldest
new brand around” because it’s a fascinating brand with all
this history going for it. To begin with, it’s the oldest
working gin distillery in England. And it was actually the
place where the Plymouth fathers spent their last night
before setting foot aboard the Mayflower in 1620 to begin
that historic voyage across the Atlantic to found the first
New England British colony in the New World. And the amazing
thing is that nobody had seen the brand in years. It took
the foresight of somebody like Future Brands to devote time,
attention and money to resurrect it here in the US, and make
a major effort to reintroduce it to our
marketplace.

I think the main reason all
these guys are now being attracted by gin can be answered by
just looking at the cocktail culture of today. The current
situation is that everything is being driven by flavored
vodkas and triangular glasses. Anything goes in there now.
And the funny thing is that the martini that’s being sold at
the bar, today, has absolutely nothing to do with anything
that you or I would have ever called a martini. Today’s
martinis are what used to be called shooters, because almost
all of them are brightly colored and generally
sweet.

My own personal
professional background happens to have been primarily in
the wine field, and what’s happening here is something like
what you see typically happening with the development of a
wine drinker’s tastes. You have to remember that, except for
rare cases like my MW colleague Sandy Block, who seems to
have sprung full-blown like Athena from the head of Zeus,
and immediately started drinking Premier Cru vintage wines
at an early age, all the rest of us wine drinkers entered
the wine category drinking sweet and fruity stuff like
Mateus or white zinfandel or whatever it was. Then, maybe,
we moved to Rieslings, then to Chardonnay, and then maybe to
Sauvignon Blanc. And then we started experimenting with
lighter reds, then moved to heavier reds and so on.
Throughout the whole process, there was this logical sort of
path we were following.

The same thing is happening
now in cocktails. The introduction to beverage alcohol for
most LDA drinkers used to be beer. Not anymore. You’re
seeing these LDAs, today, beginning their adult drinking
experiences with cocktails. And it’s one cocktail, in
particular, called a martini. Only, as I just mentioned,
these are fruity and sweet shooter-like drinks that can have
almost any kind of ingredient. But these LDAs ain’t going to
be drinking fruity and sweet forever, and when they start to
shift their tastes, the next logical step can include
something like gin. However, traditional gin possesses a
very distinctive flavor. The juniper character is inherent,
and something that you can’t entirely get away from.
Historically, this has been something of an obstacle for
many younger drinking audiences. And this is why you’re
seeing these new entries into the market taking a page from
the flavored vodka play book. They’re not going all that
way, because you can’t with gin. Gin is not a fundamentally
sweet spirit – it’s dry. But you can do some things with
numerous botanical recipes and assorted spices, not
necessarily to hide, but to camouflage or add another little
edge to the juniper character. And some gin products even
try and entirely de-emphasize the traditional
juniper-botanical idea.


RB
What would be some notable examples?

SD
An interesting case in point is a recent small batch
80-proof import from the UK, called Baffert’s. It touts
itself as “the vodka lover’s gin” and claims the fewest
botanicals of any gin product on the market. This is an
unequivocal direct appeal to the vast vodka-drinking
audience it’s competing against. Another example is
Hendrick’s, which came on the market about three years ago
and has been contributing some considerable gin interest in
its own right. It’s a small-batch 88-proof luxury gin item
from Scotland, made by the noted single malt scotch producer
Wm.Grant Sons, and is infused with rose petals and cucumber.
It prides itself on eccentricity, using “A most peculiar gin
. . . not for everyone” pitch line in its ad
campaigns.

Look at Magellan, which is
another just-introduced product that takes gin modifications
to a new and different level. Not only have they infused the
unusual botanical tastes and spicy complexities of cinnamon
and nutmeg, which you don’t find in any other gins I’m
familiar with, but they’ve also infused a natural blue
color. Mind you, this isn’t just putting color on the
bottle, like what you see with Bombay Sapphire, but, rather,
the liquid has a bluish hue that is naturally imparted to
the actual spirit in the bottle from the blue wild Iris
flowers and roots which are used in the distillation
process.


RB
Bombay Sapphire, of course, is the super-premium colossus of
the whole category.

SD
No doubt about it – and this has been true for many years.
It’s a simply extraordinary success story by any industry
standards. Remember, this is the brand that’s really been
responsible for generating all this modern-era gin revival
for maybe a decade. And, over and above these various new
product attempts to attract younger gin consumers we’re
seeing today, everybody’s still trying to get a piece of
Bombay Sapphire. Make no mistake about it. It still is the
800-pound gorilla in the super-premium gin marketplace, and
is still the role model in the category. People still look
at it and say, “Jesus, I’d like to get just a little piece
of that!”

The phenominal thing about
this brand, when it first appeared, was that they took a
point of difference at a time when there wasn’t the
proliferation of new brands that you’re seeing now. They put
it in a blue bottle, so it stood out on the back bar. They
raised the proof up to 94 to give it more mouthfeel, and did
some botanical things that made the flavor different and
more complex. And, presto!, they have just totally owned
this super-premium upper segment of the gin market ever
since.

You continue to have the
usual Beefeater, Bombay Original and Tanqueray battle going
on at the premium level, but, at the super-premium level,
it’s no contest. Sapphire is miles ahead of anyone else.
Tanqueray No.10 has come in and tried to take them on,
unquestionably seeing some significant pockets of success.
But look at Sapphire’s numbers over the past 10 years. The
growth has been both dramatic and amazingly consistent. On
the national sales charts, Bombay Sapphire now does well
over 600,000 cases in annual 9-liter-case volume sales in
the US. It’s nearest super-premium competitor is Tanqueray
No.10, which does something like around 70,000 cases,
annually. Does any other product completely dominate a
category segment by this kind of 9-to-1 margin? Not even
close.

I can only say that anybody
who is entering into gin or profiting off the category,
right now, should be lighting a little candle at the altar
of Bombay Sapphire, because these have been the guys who
have been showing the potential for the future of gin for a
good many years, and created excitement and vitality in the
category at a time when it was in relative decline. Sure,
you’re now seeing a lot of people wanting to get back into
the game. But you must remember it was Sapphire that was
making this category attractive and keeping things alive for
a great many years.

Another example of a
promising new gin product is the recently-launched
Wet-by-Beefeater, which is a pear-infused line extension,
and represents a distinctive departure from its notably dry
parent Beefeater brand. But, unlike flavored vodkas, when I
taste Beefeater Wet, I don’t get a strong pear flavor. This
is a lot more subtle. What it does is ameliorate some of
that traditional pronounced juniper quality, making this gin
a little friendlier to somebody who is just starting to
stick toes into the gin pool for the first time.

I might add that, in the
case of a big established brand like Beefeater, this kind of
brand alteration can also get a little tricky with core
consumers, because chances are good that many regular
Beefeater Dry drinkers may not find Beefeater Wet all that
appealing, so it could be something of a disconnect.
However, this may not be of real concern to marketers, since
everybody’s primary brand-building initiatives today are all
targeted at growing the youth market. It’s the segment of
the drinking population that everyone is trying to capture
in marketing efforts. So, everybody is going all out to get
a piece of the LDA business, because, as the saying goes, if
you can claim them as consumers when they’re young, you keep
them as they age.


RB
From what I’ve heard from many brand marketing directors,
there has always seemed to be an unusual degree of consumer
loyalty among gin drinkers. Do you find this to be
true?

SD
Interesting point. I was recently talking to a bartender
friend who was saying this exact same thing about his own
gin customers. He was telling me that gin drinkers are some
of the most brand-loyal beverage alcohol consumers you’ll
find anywhere. Today’s vodka audiences are wildly
experimental – they’re willing to try anything and
everything, anywhere, anytime. But a gin drinker really
sticks with a specific brand profile, which almost always
has a distinctive identity.

Traditionally, there are
very different gin family styles, such as London gins, Dutch
gins and highly stylistic proprietary gins, which, by legal
definition, can only be made by one producer and distilled
within the confines of one location, like, for example,
Plymouth Gin, produced only by Coates Co. at their Plymouth,
England, facility. If I remember correctly, the basic
difference between these gin styles is that Dutch is
heavier, London a lot lighter, and a gin like Plymouth,
which uses only copper stills that give a rounder mouthfeel,
will be somewhere in between, but is closer to a lighter
London gin.

With Dutch gin, the
botanical infusion is done with the mash and a re-ferment
process, whereas with London gin, you rectify a clear
distilled spirit first, and then do the infusion. Right now,
for the American palate, it would appear that the Dutch
style is far and away the least appealing. Why? I guess it’s
just too “ginny”. That’s why you don’t see a lot of it in
circulation, and there’s a reason for that. Also, there are
some gins from Holland, like the elegantly-packaged
super-premium Van Gogh in our portfolio, which actually
isn’t a Dutch style gin at all. In fact, it’s a typical
London dry style despite its point of origin. But, quite
frankly, we haven’t been able to do much with it to
date.

This all gets back to what
I said at the start about gin being a “Field of Dreams”
category. Producers may want to be there on the playing
field, but you have to build in order to attract an audience
– otherwise, you’ve got a pretty empty ballpark. And as a
distributor, I have to personally embrace those key players
who are helping me drive my own field-of-dreams business,
right now. Bombay Sapphire is hugely important, because it’s
still the engine pulling the train. A brand like Plymouth
has growing importance, because, as people move into this
category, here’s a gin that has a distinctive and different
presence for its historical background, and stylistic
qualities that set it apart from anyone else. Something like
Wet-by-Beefeater and a Magellan can be important because,
again, they’ve wrapped themselves in this page from the
flavored vodka category script, and, therefore, offer points
of difference and flavor tastes which present more of a
cutting edge and fun for luring the braver vodka drinkers
over to gin.


RB
As is so often true with building any brand and category
interest, it would seem the primary challenge here is at the
on-premise level.

SD
Exactly right. It’s axiomatic in this business that brands
are built at the on-premise level where most experimenting
goes on. And it’s especially true with gin. So, the key
person who really needs to be bravest in this whole gin
initiative, and is maybe the most important person in the
whole equation, is the person behind the bar. I mean, the
sad fact, right now, is that you can talk all you want about
all this martini rage, but hardly anyone knows what a
martini really should be by definition. A real martini is
all about gin, of course, and, in fact, the very first
martini recipe of in the 19th century specified a particular
gin brand which happens to be Plymouth. It was the original
martini cocktail prescription on record. And this kind of
product awareness can offer a lot of significant cachet for
discerning gin drinkers as they become more familiar with
all this richly-endowed category history, and I’d like to
see a lot more emphasis on it in future marketing
efforts.

But, meanwhile, you and I
can go out on a little pub crawl, tonight, and examine all
the martini menu lists that are being offered, and I would
bet you that a good majority of them don’t even have a
single gin martini listed. So, pretty obviously, we need to
be encouraging key bartenders to look at gin opportunities
with a new kind of creative slant and say, “OK, what can I
do different with gin? What can I create that will have a
flavor profile that’s going to be friendly to people and
something they’re really going to like, instead of just
relying on typical old gin gimlets, the old style martini,
or the Tom Collins – since nobody wants to drink out of a
highball glass anymore, anyway?” We have to get some of
these more adventuresome bartenders to set themselves apart
as true mixologists and start presenting gin in different
and imaginative ways. And whatever drink they come up with,
it’s going to have to be served out of that triangular
glass, because it’s this martini glass that’s driving drinks
right now as much as anything else.

I mean, it’s simply
astonishing. In all my on-premise work, when I go into any
establishment and look down the bar, and count the number of
beer steins and pilsener glasses, the number of wine and
highball glasses, what I’m mainly seeing is this
overwhelming number of martini glasses everywhere. It’s
become like a sex-in-a-glass symbol. And, so, to be really
successful, gin simply has to find ways that are friendly
and flavorful which can get it into this glass. So far,
there really haven’t been too many effective
answers.

One of the most flavorful
gin cocktails I know is something like a Ramos Gin Fizz,
which, if I remember from my bartender days, has gin, light
cream, orange juice, egg white, and orange flower water.
Another version is a New Orlean’s Fizz that’s built around a
lime flavor with fresh limes and lime garnishes. These
drinks are easy to screw up, but when made right they’re an
absolutely fabulous showcase cocktail with flavor profiles
that people are looking for today. However, a major drawback
about this type of drink for on-premise practical usage is
that they are a total pain-in-the-butt for any bartender to
make. A more workable solution would be something like the
new pear martini recipe that Wet-by-Beefeater has been
getting some early success with, where a little pear liqueur
is added in. But the on-going challenge remains trying to
find more creative and appealing consumer usages for the
category.

Anyway, I think the best
news for the gin, right now, is that we’re undoubtedly
seeing some encouraging forward motion and a pronounced new
interest. Gin is more diversified, exciting and a lot
healthier than it’s been in years. We’re not at that point,
yet, where you’d call this an event, but the category has
clearly begun taking baby steps in the right direction.
There’s now all kinds of marketing clout of major suppliers
like Allied Domecq, Bacardi USA and Schieffelin Somerset
heavily supporting their brand imports, plus the
introduction of these new entries. All this is helping draw
attention with some very interesting high quality products,
and many of the gins of today have clear points of
difference to work with. So, it’s not just Dad’s stuffy old
gin category anymore. And, like I said, if we can really get
some bold bartenders creatively working these brands in the
on-premise arena, a lot people are going to start having a
whole lot of fun.


JIM
HICKEY

VICE
PRESIDENT
UNITED LIQUOR’S CENTURY DIVISION

ROBERT
BRADFORD
As I
recently reported in these pages, United Liquors currently
does about a 36% share of total spirits sales and is the #1
distributor here in Massachusetts. Most of the trade is now
well aware that you’ve just gone through an incredibly
challenging period of dramatic expansion, relocation,
restructuring, brand changes, and repositioning in the past
year. Apparently, one of the key new organizational
developments was United’s new Century Division you’re
directing, which was created just last winter to be an
exclusive strategic alignment with the many Diageo and
Schieffelin Somerset’s brand interests that you’re now
handling. One of these core brands, of course, is
Schieffelin Somerset’s best-selling premium import,
Tanqueray gin, as well as its more costly super-premium
offspring, Tanqueray No.10. So, for this closeup report on
the Massachusetts gin market, I’m interested to know how you
would evaluate Tanqueray’s performance and consumer
awareness, right now?

JIM
HICKEY
Well, first,
just to give you a bit more input about the present need for
creating our new Century Division, you have to realize that
the combination of Diageo and Schieffelin Somerset, today,
represents the largest producers, promoters and
manufacturers of distilled spirits in the world, and has now
acquired a staggeringly large portfolio of major premium
brands like Tanqueray which have nothing but upward growth
written all over them in terms of consumer demographics. So,
you take what this supplier is doing, and combine it with
the critical strategy here at United Liquors to align with
that supplier, with the right relationships, the right
framework, plus the understanding that there needed to be a
change in the route to market from manufacturer’s hands to
consumers’ hands, and the need for a special new division to
handle all this became apparent.

As far as Tanqueray gin is
concerned, it certainly is one of our key products, and
presently does 60,000 cases here in the state. It’s
currently growing at about 7% to 8% and is a major core
brand for us in terms of commanding attention, driving sales
dollars and having tremendous growth potential against the
appropriate target consumer audience in the near future.
It’s been a critical lynch pin in our performance since
Century started last February, and it fits very nicely into
the focus detail that we execute both on- and off-premise.
There’s no question that up-selling our customers to premium
and super-premium spirits is where the business is headed.
Our portfolio is very much driven by those price segments,
and Tanqueray is certainly a main staple.

We sell some other great
gin brands like Bombay and Gordon’s gin, but Tanqueray has a
special place with us here in Massachusetts, where it does
53% of our total gin business. It’s also positioned to grow.
We’re getting tremendous marketing support from Schieffelin
Somerset. For example, just this week, two nights in a row,
I was driving home either via the Southeast Expressway or
the Mass. Turnpike, and here were two huge
prominently-located billboards advertising Tanqueray, which
are being seen daily, by hundreds of thousands of drivers
coming in and out of the Boston area. Schieffelin Somerset
has always been tremendously involved with consumer
awareness and this kind of big ad-spends behind their
brands. The fact is, they’ve increased their ad budget 25%
just since last year. Aside from Tanqueray, this also
applies to their whole portfolio of leading high-image
brands in many categories like Hennessy, Johnnie Walker,
Grand Marnier, and Moet. Their consumer imagery has been so
successful, in fact, that being seen with a Schieffelin
brand, today, is often viewed as being successful in
life.


RB
What else do you suppose gives the Tanqueray brand such
consumer cachet and even, perhaps, a certain kind of
snob-appeal aura?

JH
Well, the brand’s heritage is very important to understand.
It’s been around since 1830, and has had real staying power
for all this time. This kind of longevity always helps
establish a true quality message with any product. And,
certainly, as with other categories, Tanqueray’s pricing has
a lot to do with imaging. It’s always been a pricing leader
against the category, with a 750ml selling around $15, and a
1.75 averaging in the $25 to $30 range. But you’ve also got
across-age demographics going for it. I mean, everyone’s had
a TNT, a Tanqueray and tonic. It’s a great summer drink, and
we’re trying to give this more and more a year ’round
appeal. Obviously, this has proven to be a highly successful
selling point when you consider that over half of Tanqueray
consumption is via this TNT drink. It’s somewhat analogous
to the Cuervo Gold margarita image with tequila drinkers, or
what Crown Royal with Coca-Cola has been able to establish.
Tanqueray has this same kind of hold on a gin-and-tonic for
today’s gin-drinking audience. And it’s an ideal drink for
entry level drinkers, since it’s easy drinking and has a
taste and image that LDAs respond to.


RB
How’s Tanqueray No.10 performing?

JH
It’s been catching on nicely and growing about 15%, right
now. It may be at a higher super-premium price-point, in the
$29 range for a 750ml, but it’s really been clicking for us
this year. It has a unique, ultra-smooth blend of botanicals
and juniper to appeal to the most discriminating gin
drinker, but also lends itself beautifully to a variety of
gin cocktails, starting with a truly classic martini and
several creative new martini recipes like one we call a Ten
Grand. This combines No.10 with Grand Marnier, a little
pineapple juice and some fresh lime juice. A No.10 green
apple martini has also been an on-premise success. But
getting back to what we were saying about upscale consumer
imagery, one of the things that No.10 really has going for
it is fantastic ratings, above and beyond what the Tanqueray
brand already has achieved. No.10 just received a 98 rating
from Wine Enthusiast. It got a gold medal and Spirit of the
Year awards from Wine Spirits Annual Buying Guide. It
received a 5-star rating from the Spirit Journal. And it won
a gold medal at the world competition for spirits out in San
Francisco. You can’t begin to measure how much recognitions
at these highest levels add to building the quality message
and stature of a brand.


RB
Do you feel optimistic about the overall outlook for the gin
category?

JH
Very much so. And here, again, is where Tanqueray provides
so much leadership. There’s always been a clear consistent
message of premiumness and quality about this brand, which
also, by association, helps build an image for gin, in
general. “Distinctive since 1830” is Tanqueray’s tag line.
This definitely commands a whole lot of respect for gin
consumption. Anyway, my job is to take whatever brands we’re
fortunate enough to be assigned, and go out there and bang
’em out, selling them to the right customers, and doing the
right brand-building, sales-driving stuff to sustain
long-term growth. And with a brand like Tanqueray, I see all
kinds of opportunities ahead.

Don’t think for a minute
that all these young flavored vodka drinkers out there can’t
be persuaded to experiment and dabble in other categories
and try drinks like a Tanqueray and tonic. It’s refreshing,
has the zest of lime flavor, is easy to mix, and it can come
out perfect every single time. The lower segment of the
category is where you find most of the category troubles and
all the struggles in the competition back and forth between
the Gordon’s, the Gilbey’s and the Seagram’s. This is where
the battle comes out on price. But for a new user, just
coming into premium and super-premium, they can readily be
attached to a brand. And, as they enter into the gin
category, Tanqueray is a natural. It’s been a defining
premium icon for generations. And this is not going to
change. Like they say, get ’em young, keep them for
life.


MIKE
BRODY

VICE
PRESIDENT of GENERAL SALES
M.S. WALKER

ROBERT
BRADFORD
What
developments are you seeing in the gin category today and
what brands are performing particularly well for you in your
portfolio?

MIKE
BRODY
There are two
distinctly different levels of this category that we’re
involved with. There’s the domestic lower-premium end with
brands like Jim Beam’s, Gilbey’s and Burnett’s from Heaven
Hill, plus the gin labels we own and produce such as
Rubinoff, Cossack, Caldwell’s, Kimnoff, the S.S. Pierce
labels, and many others. As the last remaining bottler in
the state, we buy in bulks, add water to it, filter it, and
bottle it under various brand labels. In this country, there
are only a few suppliers from whom you can buy train
carloads of gin that you then blend down to 80-proof or what
have you for the domestics. And we’ve done exceptionally
well with this lower-end of the business for quite some time
now.

This is the value-conscious
part of the marketplace where consumers are looking to save
themselves a few bucks. Price points average between $10 and
$15 for a 1.75l, and maybe a brand like Gilby’s will retail
in the $15 to $20 zone. But there’s been a whole new recent
gin development at the super-premium import level, which is
where the category has really started to get more and more
fascinating. At this level, 750mls sell in the $20-plus
range, and the really amazing thing is to see how many
consumers are willing to buy in at these significantly
higher price points without even blinking. The quality
tradeup is obviously there.

Interestingly enough, if
you go back 30 years ago, when I first started, we were
producing a lot of flavored gins, as well as a great many
flavored vodkas, too. I remember a mint-floavored gin that
was doing exceptionally well. Somehow, the flavor market
sort of disappeared for a while, but look at today’s
marketplace. Flavored vodkas are all the rage, and, although
flavored gins haven’t taken it to that level yet, keep
watching, because it’s beginning to happen quite rapidly, in
fact. Just look what flavored rums have done. I’m fairly
certain we’re not too far from seeing the gin category
exploding in this same direction.

All this is indicative of
something that I feel is so often true about this industry.
Everything that’s old is new. And another thing is that a
lot of people want to tell you that gin usage is somewhat
limited because of its juniper flavor. But I’m one to tell
you that juniper does not necessarily have to be a
deterrent, but can actually add zest, character and interest
to a great many drinks. You can use it as the base for a
whole range of cocktails. Think about gin-based
cosmopolitans or gin-based apple martinis. They work. The
truth of the matter is that gin can be remarkably mixable
when combined with the right ingredients.


RB
What imports interest you?

MB
We have a diversified selection that goes all the way back
in history to the category’s origins with one of our import
brands. Gin was invented by a Dutch chemist named Dr.
Sylvius, who produced it as a medicinal product. Not long
after, the first commercial gin spirit was produced by Bols
in the mid-1600s. We’re still selling this 80-proof Bols
Genever brand today. Another historic import we carry is
Plymouth Gin. It’s 82.4-proof, and has been produced by the
same distillery since 1793, and was recently purchased by
the Absolut Spirits Company. They pride themselves on having
no bitter botanicals and an unusually smooth taste. Compare
this to a brand like Citadelle that we carry, which is an
88-proof pot-still gin produced in Cognac, France, and has
about 19 botanicals, and makes the absolute classic,
shaken-not-stirred type of dry martini that 007 James Bond
would love.

So, here you are taking a
Dutch spirit, made popular by the British, and you can go
into Hendrick’s Gin, which we carry, that’s distilled and
bottled in Scotland. It’s made by the well-known Scotch
producer, Wm. Grants Sons, who introduced it to the US in
September, 2000. We’ve it carried it from the beginning. It
has a light, crisp, smooth, aromatic taste, with a flavor
profile of coriander, citrus peel, juniper, rose petals, and
cucumber. Last year, it won Gin-of-the-Year in Food &
Wine’s spirits competition, and received a gold medal at the
San Francisco 2003 Wine Spirits Competition. It was also
voted “Best Gin in the World” by the Wall Street Journal
last year. So, it’s been piling up a tremendous number of
critical awards and accolades, far greater than anything we
ever initially anticipated. The buzz has become
tremendous.

You really know a product
is making it when you go to a friend’s house for dinner and
he’s telling me, “I’ve discovered a great new gin. Tonight,
I really want you to try it.” And he’s showing me a crock
bottle of Hendrick’s. He explained that his daughter lives
in Boston’s North End. She’s recently tried it and liked it
so much she brought him a bottle as a present. Now he loves
it, too. I almost hated to have to tell him, “That’s great,
but I already know about it, because I’m the Hendrick’s
distributor.”

What this illustrates is
that, in the beginning, with specialty gins like Hendrick’s,
you’re always trying to find ways to go mainstream. We use a
grill-marketing tactic, which is getting people to taste,
taste, taste, just trying the product. You get the
on-premise accounts to make martinis with them. You float a
cucumber slice on the top to show a point of difference. And
once the consumer has gotten into it like this, then they
start talking, one to another. It’s the most basic and
successful of all marketing campaigns when you can get this
kind of person-to-person taking place.

Initially, when Grant’s
introduced it into just a few select US metro markets, like
with us in the Boston area, we took it on-premise for about
90 days before it even entered a single store. And for
almost all of 2001, we still were only placing it in just a
few of the better wine and bottle shop retail outlets,
because finer gins have almost become like single malt
scotches, where they create a niche and cult-like following.
These are the markets where you’ll find that when consumers
like a particular taste, they stay with it. And, still
today, we are doing far more on-premise than off-premise
with a brand like Hendrick’s.

Same is true with our
Plymouth gin, which is a classic, small-batch traditional
82.4-proof British brand with a distinctive traditional
London Dry juniper accent. As I mentioned, it was recently
purchased by the Swedes who own Absolut, and who are now
promoting Plymouth in their white spirits portfolio, as
well. And look what the Absolut Spirits Co., VNS, is doing
with it now – you’re seeing all kinds of advertising for
Plymouth in upscale consumer magazines, and it’s getting a
big play in newspapers like the Boston Globe. This, of
course, is another way of trying to develop this same select
type of connoisseurship following.


RB
“Small batch” is by now a liberally-employed definition/term
used in all sorts of whiskey marketing. When it comes to
small batch gin production, do you actually find distinctive
higher qualities in small-batch products, or is this more to
do with advertising hype?

MB
In my view, small-batch can truly make a huge taste
difference in gin. Flavors are married more effectively. The
resulting spirit is much more defined. If you take any
flavored spirit, whether it be flavored vodkas or rums or
whatever, and you truly distill it, rather than just rectify
it with added flavors, the difference in taste is just
tremendous. And, particularly with the enormous range of
ingredients and flavor subtleties in many of these high
premium gins, quality is significantly enhanced by the right
kind of marriage between the alcohol and the botanicals when
it’s produced by a small-batch distilling technique.


RB
So, how would you characterize the overall gin marketplace,
right now?

MB
At this point, there’s still no major challenge to the
dominance of vodka in the white spirits industry. I mean,
you’re still filling 10 bottles of vodka to one bottle of
gin, so the market is much, much smaller. But the fairly
dramatic growth of the gin market at super-premium levels
and above is what’s significant here. It’s an amazing
situation where you’re seeing such broad and contrasting
developments. Our company looks at gin as being a very real
future opportunity, on the verge of exploding the way the
vodka and rum categories have with flavors. I just think
it’s the next white goods step into flavors. To me, there’s
a natural progression from vodka, to rum, and now to gin.
Actually, Seagram’s was getting into this years ago with
their Gin Juices flavors. It’s a spirit that possesses
sufficient character and versatile base, so that, if you add
something a little sweet in there, it can be used with
almost anything.

Sure, I know that if you
were to talk to marketers of many major gin brands, like the
big one in the blue bottle, or whatever, they may still want
to tell you that, No, No, No!, gin has remain targeted to
the person who’s that classic martini or gin-and-tonic
drinker. But I’m telling you that the younger consumer of
today thinks that a martini is anything that’s light and
sweet and gets served in a V-shaped glass. The young adult
consumer today is an experimenter. And, so, in this
experimental present-day drinking culture, people are
looking for a whole spectrum of tastes and textures, which
can include all kinds of opportunities for gin at these more
intriguing, flavor-infused levels of the
category.

Today, in our market, the
hottest flavor of all is raspberry – and don’t be surprised
is if you see one of the majors coming out with a
raspberry-infused gin offering in the very near future. In
fact, I’d almost be willing to bet my house on it. And
orange, lemon or lime are other immediate possibilities.
It’s a natural progression that’s inevitably going to
happen.

Understandably, none of
this will be of any particular interest to older gin
consumers – but that’s not the point. The major gin brands
aren’t concerned about losing their base of business, which
is pretty much secure and stablized. What they want are new
upstart products which will create a whole new consumer base
of younger drinkers coming into the category. And, sooner or
later, many of these will want to gravitate towards more
classic gin consumption, as well. So, as I see it, all this
translates into a very optimistic business outlook,
particularly for these upper level products. I’m more and
more convinced we’re on the threshold of of the most dynamic
era that gin has ever known more and more products being
presented in exciting and intriguing ways. The pendulum is
swinging back in the right direction for this category. It’s
just a matter of time.