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Tasting Barolo

Yet
styles have evolved demonstrably in both regions over the
last generation, due to economic constraints as well as
contemporary taste evolution. Since the wine industry’s
watershed 199Os, certain vintners are sidestepping
traditional austerity seeking for an easier complaisance.
Moreover, the millennium vintage of Barolo, as elsewhere
throughout Europe, was considered a rich, ripe vintage,
touted widely as the ‘best’ since 1997. With hue and cry
both loud and persistent on these wines, they have arrived
on these shores as hot items and are expected to sell
rapidly. ‘Hot’ is literal as well as figurative: Barolos are
rarely envisioned for immediate drinking pleasure, but both
the 1997 and 2OOO vintages have been regarded as forward,
ripe and open.

Here’s how
Brookline Liquor Mart in Allston ran a Barolo tasting. This
brief report talks more to the tasting process than
prognostication on the wines’ rose-y (if not tar-ry)
futures.

the
SET-UP
Elizabeth
Kane explains how the tasting came about. “When I arrived at
MS Walker from Veuve Clicquot in Manhattan last year, I came
with the understanding that to move an expensive portfoilio
of wines, you have to crack eggs to make an omelet, so to
speak. We were going to have to run tastings to move in
retail. MS Walker has a large Italian portfolio, and our
Piedmont selections are huge. I had about 3O Barolos to
choose from!

“Claudia Davis
is national brand manager for Mark di Grazia; they created
the job for her, and she started last fall. She’d worked at
Skurnick, a well-respected wholesaler/importer. She’d worked
with these wines for years.

“We chose to
partner with a few stores around the state. Not only was BLM
willing – Roger Ormon and his team were enthusiastic about
working with us – they also had a really good client base
that cellars wine, and also a great tasting space out back.
It was really a perfect store.

“We also
partnered with Hingham Wine Merchants. Dick Graham has a
lovely big house, and we held a walkaround tasting for 😯 of
his clients. Both Dick and Roger know how to speak to their
client base. Both tastings really worked and we sold a lot
of wine – and built some great partnerships. We decided to
make them a special offer to grease the kitty.”

BLM’s veteran
salesman, taster and newsletter writer, Roger Ormon
announced a tasting of eight newly released 2OOO Barolos via
email to his customer base. Those interested prepaid, by
phone or by web, a $2O fee by credit card. The 3O projected
slots filled up in a day or two. Even though most of the
wines had been landed and warehoused at MS Walker, BLM
offered them at the tasting itself at ‘pre-arrival prices’,
about 2O% less than the wines would be advertised the
following day in the newsletter and the same price as they
would be on the floor, if indeed they had not been all
snapped up before they could be binned.

TASTING
CONDUCT and COMMENTARY

At 6pm on a Wednesday – typically a slow day in the slow
week following Valentine’s Day – tasters assembled in BLM’s
spacious showroom, and were led to the back room for a
tasting of eight of the crop of 2OOO Barolos. Sharing emcee
duties were Ormon, MS Walker representative Elizabeth Kane
and Claudia Davis, whose firm (Mark di Grazia) imports
several of the wines. BLM staff had laid out platters of
cold cuts, cheeses, fruits, olives on a sideboard, and
placed baskets of baguette rounds and communal spit buckets
at strategic points on the extensive connected tables.
Tasters were both seasoned BLM clientele and new faces, such
as two enthusiastic interns at Harvard Medical School. The
wines were presented in approximate ascending order of
weight, complexity, price, and Wine Spectator point count.
Prices and ratings are omitted from this report. One Riedel
glass was afforded each taster; since servers poured the
undecanted but lightly aired wines at about one every 5 to 7
minutes, alongside interesting running commentary, tasters
had to make relatively swift assessments. The genial
commentators competed neither with each other, nor with the
wines. Kane drew some general notes, remarking on the Barolo
region’s typically cool summers and its never-over-the-top
fermentations, increasingly done in stainless steel among
the younger generation. She noted that the law dictates 24
months minimum of barrel aging, but that various producers
may opt to age their Barolos longer; further variables are
whether the oak is old or new, large or small (botte versus
barriques). Ormon, an ardent follower of Barolos since the
197O, waxed eloquent about the 1982 vintage (lovely, not
powerful) and its softer tannins. Davis was particularly
adept at calling attention to the characteristics of the
various villages’ terroirs. She also had had sufficient
firsthand exposure to Piemontese lifestyle to mention the
softening of social relations among centuries-old winemaking
families that may well parallel such directions in
winemaking. “The youngsters talk to each other,” she noted,
in contrast to the longstanding stuffy antipathy widely
attributed to brothers Aldo and Giacomo Conterno – or, to
the Northeast, Livio and Marco Felluga. “They hang out, hold
weekly tastings, discuss their new winemaking toys.” There
were even intimations that communication fault lines are
forming in Barolo, as elsewhere, along generational rather
than family lines: as youngsters exercise more contemporary
tastes and styles, they’re likelier to irk their own fathers
than annoy their peers in the neighboring
vineyard.

The
DEAL
The sweet,
on-the-spot-only discount deal favored big spenders, as it
was offered only on full case orders. Several modest
purchasers (this writer included) banded to cobble together
a mixed case order. The ad-hoc coalition provoked continued
amiable discussion on the relative merits of the two
Grassos, Ratti, Vietti, and Alessandria. While the staff
cleared the tables and husbanded the leftover wine, we
munched cheese rinds, pate, and grapes, plumbed the dregs of
the pre-tasting Barbera, and talked when the wines’ dumb
periods (elegantly termed by Davis as their ‘cocoon phase’)
would kick in and how long they might last. Meanwhile, Ormon
retired with carefully preserved portions of the bottles to
taste in peace and write up his own notes for BLM’s on-line
newsletter; some of these are excerpted below.

AFTERTHOUGHTS
In years past, Barolos were considered blockbusters of
alcoholic, but today many of them are being tamed and
refined, carrying their 14 to 15% with considerable grace,
especially vis à vis recent olfactory onslaughts of
Amador and Cucamonga Zinfandels and heavenly hosts of Aussie
Shirazim.

Ormon said in
his tasting summary, “As a group, they showed considerable
saturation and black hues, ripe fruit aromas and flavors,
and broad mouth-feel rarely found in just-released examples
of the ‘king of wines’.” I recalled that, mid-tasting,
Davis, though preaching to the converted, couldn’t resist
telling us insiders that her dictum to uninitiated
Barolo-tasters – “Trust me! It’ll taste great in ten years!”
– usually met with blank stares. Ah, yes, we think piously,
ten years must seem eternity to America’s pop-‘n’-pour
culture. And yet the burning question for those of us who
traditionally hold traditional Barolos ten – yea, verily,
even twenty! – years before popping their corks remains:
“Will these modern Barolos age as well as their forebears?”
The consensus opinion was tantalizing, maddening: “We’ll
have to wait and see!”

The
Wines

2OO2
Barbera, La Spinetta “Cadi
Pian”

The only wine not a 2OOO Barolo was poured as a
starkly contrasting lagniappe. Comments: Giorgio
Rivetti makes single vineyard Barbera only in the
best years; he skipped 2OO3. Asti is widely
regarded as the best Barbera town: all vineyards
face SSW to SE. The saturated violet Barbera proved
rich, savory, luscious, and food-friendly, but was
shortly upstaged by its larger cousins.

Vietti
Barolo Castiglione Village

Castiglione Falletto is known for its fine balance
of power versus softness, with its tannins under
wraps. Vietti house style: Gentle, elegant.
Regarded by some as feminine, likened to Pinot Noir
in several respects: its difficult cultivation and
murky weather, a heartbreakingly thin-skinned
varietal producing precious few ‘bankable’
vintages. Wine Spectator: “Silky, refined red with
plum, strawberry and light cedar character . . .
lovely.” My notes: Strawberry hue reflected in
flavor. Lean but sappy and appealing finish. Roger
Ormon volunteered that he has followed the house
since 197O; extracts from his notes: high-toned and
penetrating, with lots of spice. Plenty of ripe
berry/dark cherry fruit on the palate, with cedar
and brown spice; good balance, with a long finish.
A flavorful wine with youthful vitality and
surprising harmony. I can see this taking on
Burgundian elegance over the years. Note: this wine
(somewhat ironically because of its lightness) is
one of very few Barolos consistently available in
both full and half bottles.

Renato
Ratti Barolo Marcenasco
Village

La Morra, produces soft and lush wines, even from
traditional hardliners. Vinification notes: long
maceration and stainless steel fermentation; aging
in older, larger botte thus less likely to absorb
wood aromas. My notes: rich violet hue, leggy,
cranberry and tar in nose, white pepper and vanilla
notes, with sweet, pleasurable finish. From Ormon:
Lively and penetrating for all the plump character.
There’s plenty of blackberry-like fruit in the
mouth, with the vanilla and spice as an undertone.
Good body with a plush quality that shows over the
good structure.

Giacomo
Conterno Barolo Cascina Francia
Village

Serralunga is the least developed of the five main
townships of Barolo. Comments: Widely regarded as a
house achieving wines of “heroic proportions,” G.
Conterno wines have a reputation of excellence like
Vega Sicilia. Ms. Davis mentions the well-worn
analogy “iron fist in a velvet glove”. My notes:
deep, saturated velvety violet, concentrated
tannins, black currant and plums to fore. From
Ormon: Sweet cherry-like aroma with harmonious
overtones of pine. A gentle, suave bouquet. In the
mouth the fruit is muted and blended with the
cedar-like spice and aromatics. This has good body,
is rich, with some creamy texture; well balanced
for its big size. In flavors this is somewhat like
the Vietti, though bigger and richer.

Gianfranco
Alesandria Barolo San Giovanni
Village

Monforte D’Alba wines usually have power in
reserve. Alesandria’s tiny (2 hectare) estate
produces only 4OO to 5OO cases. Comments: This
young, passionate winemaker uses a high proportion
(6O%) new barriques; ‘every year’ he wins Gambero
Rosso’s Tre Bicchieri (Italy’s Wine Spectator’s top
award). GR rave reads: “terrific aromas of
cinnamon, cloves and crushed berries follow through
to a full-bodied palate, with super silky tannins
and a tight finish.” My notes: rich purple,
unctuous texture; substantial tannins and oak
flavors do not interfere with forceful expression
of plummy fruit. Sumptuous body and lengthy finish.
From Ormon: Open nose; ripe blackberry aroma has
good sweetness, fresh and spicy pine-like
overtones. A vibrant, tingly feel. The wine has
ripe black berry fruit in the mouth, with lots of
spice, and some toasty oak. An aromatic and
flavorful wine, with good substance and
structure.

Silvio
Grasso Barolo Giachini Village: La
Morra

Floral overtones are typical in most producers’
wines from this vineyard. “Grasso achieves the
epitome of La Morra style: soft, perfumed, classic
structure.” Comments: 3O-year veteran winemaker
uses old ways but new tools. Wine Spectator:
“Extremely grapey and soft, with lovely berry,
coffee, chocolate and light raisins . . . Super
quality. Beautiful.” My notes: Violet, floral,
balanced; sappy, not cloying syrupy fruit; silky
texture, lingering cocoa and toasty notes. From
Ormon: On the palate the wine is very sweet with
ripe dark berry fruit, blended with dark chocolate
and coffee flavors. The flavors are delicious and
long, with good tannins providing structure. This
proved to be the most popular wine of the tasting,
which translated to most sales, value versus
price-point being an issue.

Silvio
Grasso Barolo Manzoni Village: La
Morra

Wine Spectator: “Lots of plum skin and dried
flowers . . . Elegant and refined.” My notes:
Darker, garnet; meatier nose, leathery, more power
and tannin (barrique?) but less acid. From Ormon:
The dark berry flavors follow on the palate, subtle
but rich, with good concentration and intensity,
backed by toasty oak. Good body, rich, with
persistent matte tannins.

La
Spinetta Barolo Vigneto Campe
Village

Comments: “Rivetti spent millions on his
state-of-the-art winery. He is passionate,
thoughtful, outgoing, fastidious, does not consider
himself a modernist. He uses 1OO% new French oak.”
My notes: viscous, deeply saturated purple,
concentrated aromas; long keeper. From Ormon:
Reminiscent of blackberry turnovers in the oven.
Light cedar spice and tar notes. Very rich in tone.
There’s lots of fruit in the mouth; juicy with dark
jammy tones, dark chocolate, and a subtext of very
spicy new oak. The flavors are rich, broad and
long. A big – and tasty – mouthful!